Yi mind

Hwa painting

Ancient Chinese Bronze Culture

National Museum of Korea

2021.9.16.-11.14

This is a picture of heart. Chinese-centered paintings and narratives called oriental paintings.

If you dig deep and follow the root of your lack of affection or godliness, there will be Yi. there is a dongi, There is an oriental spirit blocked by geopolitical compartments.

Painters are worried. stumble over It is a stumbling block to what we can show to the world. This topic, which frustrates writers, unexpectedly seems like an impregnable castle. Young blood drives Korean writers to the world.

Whose fault is this tragedy? Is it the fault of the weak painters? Is it because of education? no. The lack of belief in our cultural potential and originality, and the geopolitical factors that have instilled a total distrust of our culture, bring about this lack of identity.

In order to approach the issues of achievement as an artist, the will for one ism, and the possibility of leaping into the world, we must first confirm our identity. It starts with realizing that the origin of the Eastern spirit is our spirit.

What is China to us? Now is the time to carefully overcome the illusion and shadow of China. An illusion means that there is no reality. A shadow means that reality is separate.

The illusion is about the national state of China. There is no country called China. This is because China is not a concept of a country, but a concept of a stage. Eberhardt said. “China is a huge arena. If any nation takes the stage, it becomes a leading role.’

China's history has been induced by a relatively small proportion of China, the rest being induced by the surrounding tribes. The tribes around are the Seonbi Jeo gal Gang and the Goeran Yoejin Mongolia. In modern times, the people the Japanese Empire called the Manchus were embraced.

The Mongol race was formed between 25,000 and 10,000 BC. Altai culture spread not only to Turkey and Scandinavia in Europe, Arab India, China and Siberia, but also to North and South America across the Bering Sea. That culture makes China fat.

“The Chinese are a people who do not like abstract speculation very much in philosophy. Myths are creations of national consciousness, so they naturally reflect the basic characteristics of national culture and thought patterns.” So, who invented the Chinese myth?

As a source of influence, there is a Dongi tribe in the water source of a lake called China. The Dongi tribe refers to our ancestors who controlled the Shandong Province area as seen from the Central Plains. Its freshness is the beginning of a large pond called China today.

The cultural history of Korea stems from the history of Yi and Dong-i. It is the origin and archetype of Chinese history and the body of the Eastern spirit.

For the ancients, the sun was a being that could fly freely like a bird. The largest of the birds is the space bird. The space bird was also a sun bird. The space bird laid the space egg, which was also the sun.

The sun was called the three-legged crow It is a story in the Sanhaegyeong. Sanhaegyeong is a representative scripture of mountain theory centered on Mt. Kunlun in the early Sinseon period. The three-legged bird symbolizes male authority.

The crow is a black bird. Seol is the progenitor of Eun, the country of the Dongi people. Her mother's betrayal faded her swallow's egg into her mouth and gave birth to her tale. At that time, the swallow was Hyeonjo. Hyunjo is a black bird. A bird that could have been a crow.

The black bird is again united with the cauldron for boiling the sacrifice. The pot has three legs. If you make a fire under it, the pot turns black. Therefore, black + three hairs are combined. Again the sun and the bird are united. The sun has the right to escape from life or death.

One of these birds is the space bird. it's a phoenix It is the creed of the Dong Yi tribe. It is said that there are bongsae and orchids in Sanhaegyeong, which appear in the peaceful era. The moon was a tiger.

The tiger can be talked about in connection with the SeoWangmo, Hahugae, the tiger god connected to Shinto, and furthermore, the moon god.

SeoWangmo is the main character of Sanhaegyeong. In the Shang dynasty, the oracle bone is marked as Seomo. The original cost of Jin expresses that the Sanhaegyeong contains many stories of the Dongi people. The Sanhaegyeong is the sutra of the Dongyi tribe, so the Chinese scholar Son Jaqun declared.

Hanara, the legendary era, and the later Eun dynasty, the Neolithic period before 1500 B.C. 1500-1100 B.C., that is, the agricultural culture that arose in the ocher layer of North China around 2000 B.C., must have been at least connected with the Dongi people.

It would not be too far-fetched to speculate that the Dongi people participated in the Angso Culture B.C.2000-B.C.1500, which was reconstructed at the Seongjae Ruins in Yeoksong County, Shandong Province around 3000-2500 B.C., distributed along the coast of Balhae Bay from Shandong.

Wang Shin sets up the akseok culture in the Dongi Cultural Women's Association's Intercultural Research. The period is after the Yongsan culture in Shandong, Hanam, and the character is the culture of a second person.

It is an early bronze culture formed under the influence of the Shandong Yongsan culture tradition and the early Shang culture.

From Yosun to Ha-Sang-Ju, Dong-I is gradually divided into Seo-I and Hoe-I. Up to the Gyodong culture of the Zhou dynasty, the Dongyi culture took the lead. Among them, the single ethnic group on the beautiful Mountain in the Samchulli Peninsula, which has been guarded by tenacious single bones, is the current residence of Koreans today.

Professor Matsumodo of Daepan Medical University investigated the origin and migration route of the Mongolian race by genetic investigation method. The Mongolian race has the Gmab2st gene in its serum. The distribution is extracted from 25 sampled races.

The Buryat Mongols, north of Lake Baikal, are 52 out of 100 of the Mongolian ethnic group. There are 45 native Japanese, 44 Ainu, and 44 Eskimo. The number of Koreans decreased sharply to 41, from North China to 26, and from South China to 9.

Koreans predict that Eastern civilization will lead to the renaissance of the 21st century. If so, at least the Japanese and Koreans are different cultures in cultural consciousness. In China, more than 70 percent said it was impossible.

Perhaps it should be interpreted as a three-body equation of motion at the Asia Forum 2005. It was described as ‘a new culture that Asian culture, which viewed nature as fuzzy and chaotic, would come into contact with the modern Western civilization achieved through linear thinking and element reductionism’.

In a recent Delphi joint study conducted by the Hanbaek Research Foundation of Korea and the China Future Research Institute of Dentsu Research Institute in Japan, 300 intellectuals aged 30-45 from three countries, 105 Koreans and 1 Japanese who will lead the 21st century One hundred and fourteen people and 94 Chinese scholars and cultural artists participated.

To the question of whether oriental civilization can become a universal ideology in the post-modern world, Korea answered 90% positive and 10% negative. In China, negative 78% yes 16% don't know 6%, Japan 37.5% positive 37.5% negative 37.5% don't know 25%.

Where does Korea's high confidence come from?

The national view formed by foreign powers, the national view, the human view, and the human environment, the people, nature, and human environment of this land are beautiful. Wouldn't you like to cast off the faults of error overlaid by humans?

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